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• Title: Fifty Shades Darker
• Year: 2017
• Duration: 1h 58m
• Rating: 4.6
• Genres: Drama, Romance

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Summary Fifty Shades Darker 2017

While Christian wrestles with his inner demons, Anastasia must confront the anger and envy of the women who came before her.

Christian and Ana decide to rekindle their relationship, except this time there are no more rules or punishments. As they begin to get used to their newfound relationship, Christian's past begins to haunt Ana as Christian struggles with his innermost thoughts.

Unable to overcome the fundamental differences between them after discovering Christians' obscure side, Anastasia finally finds the courage to move on with her life; however, she is totally unaware that Christian still wants her desperately back. Soon, the two lovers will find themselves renegotiating the terms of a brand-new, no rules, no punishments--and above all--no secrets proposition, in a proper "vanilla" relationship with no strings attached. But, inevitably, Christian's well-hidden past is bound to catch up with them to finally expose the skeletons in his closet. Is the already fragile relationship, that both Anastasia and Christian so ferociously fought to establish, in danger?

Synopsis Fifty Shades Darker 2017

In this sequel to 'Fifty Shades of Grey', the opening scene shows Christian Grey (Jamie Dornan) having a nightmare about his childhood. He overhears his mother being abused by his father. Young Christian hides, but his father finds him and prepares to abuse him with his cigarette.

Meanwhile, Anastasia Steele (Dakota Johnson) has found a new job at the publishing firm Seattle Independent Publishing as an assistant to her boss Jack Hyde (Eric Johnson). Christian sends her flowers to congratulate her. She is about to throw them out but decides to keep them. As Ana is out around town, she is followed by a strange woman (Bella Heathcote).

That night, Ana attends an art show for her friend Jose (Victor Rasuk). She's unnerved to find six pictures of herself hanging from the walls. The art director then approaches Jose to tell him that somebody has bought all six pictures. Of course it's Christian. He approaches Ana and wants to fix their relationship over dinner. Ana agrees only because she's hungry.

Over dinner, Christian explains that he wants to take Ana back to be his submissive mate, and he is willing to negotiate with her on her terms. She just wants him to not inflict his dominant desires upon her, to which he agrees. Eventually, they renew their relationship and start having kinky sex again.

Jack invites Ana out for drinks. Before meeting with Jack, Ana is approached by the woman who was following her. She knows Ana's name and says little before Jack pulls Ana away. Christian finds them in the bar and is suspicious of Jack's true intentions when he catches Jack acting a bit flirty toward Ana. Later at home, Christian informs Ana that he bought SIP and will essentially be her and Jack's boss. Ana isn't too thrilled at this concept.

Ana sees the same strange woman out on the streets while out for breakfast with Christian. She asks him who the woman is. At Christian's home, he takes out a file with pictures of this woman. Christian explains that the woman's name is Leila Williams, and she was a former submissive of Christian's. She wanted more from the relationship than Christian did, so they parted ways. Leila got married to another man, but he later died in a car accident, leading to Leila having a nervous breakdown. Ana asks Christian if he has a file on her as well. Without an answer, she know he does and demands to see it.

In Christian's room, Ana sees a picture of his birth mother, who slightly resembles Ana. Christian mentions that she was a crack addict who died of an overdose when he was age 4 and was not found for three days while he stayed with her body. He later met his stepmother Grace (Marcia Gay Harden) at the hospital, and she would later care for the boy.

Christian invites Ana to a ball. He takes her to a salon in preparation and runs into Elena Lincoln (Kim Basinger), the woman that got Christian into the BDSM lifestyle. Ana is none too happy since she knows Elena was Christian's dominant. Christian assures Ana that Elena is just a business partner since they co-own the salon. It does nothing to ease Ana's mind.

Before they head off to the ball, Christian takes out Ben Wa balls for Ana to put in her vagina for consistent pleasure during the party. He then tells her it is a masquerade ball. The two meet with Grace and Christian's adoptive sister Mia (Rita Ora). They sit for a bidding to a luxury vacation, which Ana wins when she bids $24,000 that Christian had transferred into her bank account. In the bathroom, Elena approaches Ana and urges her to break it off with Christian before both of them get hurt. Ana tells Elena to leave them alone.

In the parking garage at Christian's home, he and Ana find that Ana's car has been vandalized.

Ana and Christian later go on their romantic getaway on Christian's boat, which he named after Grace.

Back at work, Jack is more cold to Ana after learning Christian is her boyfriend. He reminds her to set up a meeting in New York between himself and other publishers, plus to get a room for herself since his assistant needs to be with him. Later, Jack tries to seduce Ana in his office but comes off like a predator. Ana kicks Jack in the groin and runs out of the building. Christian is outside as Ana runs into his arms telling him what Jack tried to do. Christian later has Jack fired.

With Jack gone, Ana is given a temporary position to his old job as acting editor. She attends a meeting with the higher-ups and offers a suggestion that they reach out to a broader demographic instead of just publishing to established readers.

Christian asks Ana to move in with her, and she agrees. As they go to pick up Ana's stuff from her place, Leila is there, having been stalking both Ana and Christian. Leila pulls out a gun. Ana tries to placate her by making it seem like Christian still cares about her. Christian and his bodyguard Taylor (Max Martini) arrive after Leila has already fired a shot at the wall. Christian orders Leila to get on her knees, and she immediately obeys. Ana thinks Christian can't get off without being dominant, and she leaves the house for hours. Meanwhile, Leila is sent to a psych ward to get help.

When Ana returns home, Christian is pissed at her until Ana explains her feelings toward his dominance. He then turns submissive to Ana and gets on his knees so that she won't leave him. Ana gives in and they go off to have sex.

Christian has another nightmare while Ana is awake. She goes over to comfort him in bed. He then asks Ana to marry him, but she doesn't give an answer because she needs time to consider.

Christian goes with a business partner to a trip in Portland. As he returns from the trip, his helicopter's engine breaks down, causing them to crash into a forest. Ana hears the news while out for drinks with Kate (Eloise Mumford), Elliott (Luke Grimes), and Jose. Ana waits and watches the news with Christian's family. Just as it is reported that Christian was found, he walks into the apartment. Everyone embraces him.

Ana later finds out from Mia that Christian's birthday is coming up, as he failed to mention. Ana gets him a keychain with "Yes!" written on the back, meaning she has accepted his proposal. Christian is elated.

The couple attend a birthday party for Christian. He announces his and Ana's engagement to the whole party. Elena later confronts Ana and accuses her of being after Christian's money and not actually loving him. Ana throws her drink in Elena's face. Christian orders her to leave. Grace overhears the confrontation and slaps Elena before demanding she leave the house.

Christian takes Ana to a nearby boathouse where he proposes with an actual engagement ring. She accepts, and fireworks start to pop. The couple join Christian's family to watch the fireworks together. Meanwhile, across the lake, Jack is watching the fireworks and looks really worn out. He holds a picture of the Grey family and burns out Christian's face with a cigarette.

Note: After the end credits, there is a brief teaser for "Fifty Shades Freed", which sees Ana and Christian about to get married, plus the promise of more kinky sex.

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Ver The Big Sick 2017 Película completa en HD en línea gratis

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• Title: The Big Sick
• Year: 2017
• Duration: unknown
• Rating: 7.5
• Genres: Drama, Comedy, Romance

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Summary The Big Sick 2017

Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.

Kumail (Kumail Nanjiani), in the middle of becoming a budding stand-up comedian, meets Emily (Zoe Kazan). Meanwhile, a sudden illness sets in forcing Emily to be put into a medically-induced coma. Kumail must navigate being a comedian, dealing with tragic illness, and placating his family's desire to let them fix him up with a spouse, while contemplating and figuring out who he really is and what he truly believes.

Of Pakistani background, Kumail Nanjiani is trying to make a living as a stand-up comic in Chicago, he hanging out with other struggling comics in wanting to make it big, such opportunities which include trying to impress Bob Dalavan whenever he is in the audience, Dalavan who sets the lineup for the Montreal Comedy Festival. To make ends meet, Kumail also works as an Uber driver. His parents emigrated to the US for a better life for the family, while they retain their cultural beliefs. To keep his parents happy, they who know about his stand-up life, Kumail lies to them that he is studying to take the LSAT while he has no intention to do so or thus become a lawyer. He also dutifully attends dinners at their house where they've invited potential brides for him ultimately in having that arranged marriage, while he doesn't tell them that he has no intention of ever marrying any of those women regardless if there is any spark in that meeting, he wanting to fall in love and marry the woman of his own choice. This latter lie is all the more difficult as they arranged the marriage for Kumail's brother Naveed and his now wife Fatima, who are happy in their life. Although neither is looking to date when they meet, Kumail and Caucasian grad student Emily Gardner, who was in the audience at one of his shows, begin a relationship which develops into something serious. However, much like Kumail lies to his parents, he also lies to Emily in not telling her about the arranged "dates" at his parents' house, he not yet willing to stand up to them even in being in this relationship. This lie threatens Kumail and Emily's relationship. Kumail may get a clearer picture of love, marriage and the dichotomy between his want not to disrespect his parents while respecting his feelings for Emily when he meets Emily's parents from North Carolina, Terry and Beth Gardner, with Emily their collective focus while still somewhat of a bystander in what happens between Kumail, Terry and Beth.

An Uber driver by day and a hopeful professional stand-up comedian by night, Kumail, the Pakistani-American son of an immigrant, struggles to make ends meet, as his family who have high hopes of seeing him married, incessantly auditions nice Muslim brides to arrange a prosperous marriage. Instead, despite their efforts, Kumail will fall for the charms of Emily, an American grad student--and even though both swear they don't want a real relationship--they keep growing closer. But, suddenly, revealing his romance to his traditional parents will be the least of Kumail's problems, as Emily's health collapses from a grave illness. Can Kumail handle this serious crisis, especially now that he needs to make some difficult decisions about his life?

Kumail, an Uber driver in Chicago, is trying to get his big break performing stand-up comedy and self-producing his one-man show about his Pakistani background. His immigrant parents frequently set him up with young Pakistani women, expecting that he will follow their example of an arranged marriage; he is uninterested but toler ates the introductions. He also lets them believe he is still a practicing Muslim, though he has become agnostic. After a stand-up show, Kumail approaches Emily, a white grad student who heckled him "positively" during his set. Their one-night stand develops into a relationship after she requests an Uber and he accepts and drives her home. Kumail does not tell his family, and his relationship with Emily is strained as he holds back, fearful of being disowned, which happened to his cousin who married a white woman. After five months, Emily finds photos of the women Kumail's parents have set him up with; they argue and she asks whether he sees a real future with her, given his family's expectations.

Synopsis The Big Sick 2017

The film opens with a stand-up comedy bit from Kumail Nanjiani (Kumail Nanjiani) talking about how life growing up in Pakistan is not much different from life in America, other than arranged marriages, playing cricket instead of baseball, and the fact that they get old TV shows like "Knight Rider" around this time.

Between stand-up gigs, Kumail is an Uber driver in Chicago. He frequently performs with his fellow comics CJ (Bo Burnham), Mary (Andy Bryant), and Chris (Kurt Braunohler). At their comedy club spot, they spot a recruiter named Bob Dalavan (Jeremy Shamos), who is looking for comedians to headline his upcoming Montreal Showcase. Kumail and his friends really want to get in, but they all acknowledge that Chris is the least funny of all of them.

During one of Kumail's performances, he gets cheered on by a young woman in the audience named Emily Gardner (Zoe Kazan). After the show, Kumail approaches Emily and politely tells her that she heckled him and it's rude to heckle comedians, but Emily defends herself by stating she only gave him a "woo-hoo!" Kumail then writes Emily's name in Urdu. They start talking, and Emily tells Kumail she is studying to be a therapist. Soon enough, Kumail takes Emily home and they watch a movie before having sex. Emily regrets having sex on the first date and she calls for an Uber...and the nearest driver is Kumail.

Kumail later has dinner with his parents Azmat (Anupam Kher) and Sharmeen (Zenobia Shroff), and his brother Naveed (Adeel Akhtar) and his wife Fatima (Shenaz Treasury). Sharmeen frequently sets Kumail up with other Pakistani women in really unsubtle ways to get him to marry one of them. He keeps all of their pictures in a cigar box despite having absolutely no interest in any of these women.

Kumail continues to see Emily without his family knowing. She attends his one-man show with her friend Jesse (Rebecca Naomi Jones), which is essentially a lecture of Pakistan's history and culture. He brings her back to his apartment to watch a movie but they just hook up again. Late at night, Emily tells Kumail she wants to go to the diner across the street for some coffee. When Kumail continues to question her, Emily admits that she really needs to "take a shit" and is just too embarrassed to do it there since Kumail has no matches or air freshener. Kumail decides to sit outside the building until Emily is done. He takes her home and she says they shouldn't call each other again. Kumail calls her almost immediately and she invites him upstairs.

Kumail goes out with Naveed to the batting cages. During lunch, Kumail tells Naveed that he is dating a white woman. Naveed is surprised and insists that Kumail follow the same tradition as he did in marrying a Pakistani woman. Naveed refers to one of their cousins who was disowned by the family because he chose to marry an Irish woman.

Kumail and Emily go grocery-shopping. At one point, Emily complains about an ache in her foot after she twisting it slightly during a dance class.

Emily is in Kumail's apartment and finds the cigar box with all the women his mother tried to set him up with. When she questions him about it, he reveals the whole arranged marriage deal, and also that his family doesn't know about her because he is worried that they will disown him as well. Emily is angry and hurt by Kumail's lies and she storms out of his apartment.

Kumail performs again later that night and takes home another woman after writing her name in Urdu. He gets a phone call from Jesse, urging Kumail to go to the hospital because Emily has been admitted due to a sickness.

Kumail shows up to the hospital and finds Emily, who is not happy to see him. The doctor pulls Kumail out to tell him that Emily has an infection in her lungs and that they need to put her in a medically-induced coma. Despite not being her husband, Kumail signs off on the coma for Emily's sake. He then uses Emily's thumb to unlock her phone so he can call her parents and tell them what has happened.

Emily's parents, Beth (Holly Hunter) and Terry (Ray Romano), arrive at the hospital in the morning after Kumail has spent the night there. Beth knows about Kumail from what Emily has told them, and she is not happy to see him. Terry is slightly more accepting of Kumail calling them and making sure Emily is taken care of. Although Kumail attempts to hang around with Emily's parents, Beth is not willing to let him get close, claiming he screwed up with Emily.

The doctors tell Kumail, Beth, and Terry that they will need to keep Emily in the coma until they remove the infection from her lungs. Terry invites Kumail to sit with him and Beth as they have lunch in the hospital cafeteria. Terry makes it awkward by trying to talk to Kumail about 9/11.

Beth and Terry stay at Emily's apartment until they hear updates on their daughter's condition. Kumail tries to get out of spending time with them by saying he is going to be headlining a comedy show that night. Terry decides to go to take his mind off Emily's condition, and he invites a reluctant Beth. Kumail performs the show, and he sees that Beth and Terry are laughing and enjoying it. A heckler then tells Kumail to go back to ISIS. After an awkward silence, Beth calls out the heckler and nearly fights with him until she is pulled out of the club.

Back at Emily's apartment, Terry is sleeping while Beth shows Kumail embarrassing pictures of Emily in high school when she was a goth. Beth then mentions details about her and Terry's relationship.

At Kumail's family's house, Sharmeen introduces Kumail to a young woman named Khadija (Vella Lovell). She entertains the family with a trick where she draws sunglasses on Andrew Jackson's head on a $20 bill, then having the shades slide down his face. After spending a night with Khadija and her parents, Kumail takes her home. Khadija asks Kumail if he wants to hang out, but he lets her down gently and says they wouldn't work together because he loves someone else. Khadija is hurt and she goes back into her house before insulting "The X-Files", which is Kumail's favorite show.

Kumail, Beth, and Terry learn from the doctors that they need to keep Emily in the coma longer than expected. Beth becomes worried and considers moving Emily to a different hospital. Kumail speaks to a nurse about this, and she says that would not be good for Emily at this stage. Beth and Terry get into a fight because Beth thinks Terry is too scared to come to a decision.

Terry stays at Kumail's apartment for the night. He admits to Kumail that he once had a one-night stand behind Beth's back, but he felt so guilty that he ended up telling her what he did. Terry says that's how he knew he really loved Beth, since he felt like shit after what he did.

In the morning, Kumail finds a note from Terry saying he is going to the hospital. When Kumail gets there, he finds Beth and Terry preparing to sign off on moving Emily to another hospital. Despite Kumail pleading and objecting, the two insist they are doing what's best for their daughter.

Kumail's parents show up at his apartment to demand to know what is going on with him in regards to him rejecting Khadija. Kumail becomes frustrated and admits to them that he is in love with a white woman; Emily. Predictably, Sharmeen explicitly disowns Kumail, and Azmat tells Kumail he is being selfish for trying to look out for himself and not consider the feelings of those around him.

Kumail goes to a fast food restaurant asking specifically for four slices of cheese on one burger. When he's told that they can't do that, Kumail flips out and screams obscenities at the guy behind the window before throwing a garbage bin around. He then apologizes and just gets his food. As he eats, he gets a text reminding him that he is going up for the Montreal Showcase in less than 20 minutes.

Kumail arrives at the comedy club for the show, clearly not ready to perform. He goes up onstage and starts to tell jokes, but he quickly breaks down and talks about Emily being in a coma, unable to hold back tears or keep his act together. Afterwards, he visits Emily at the hospital and gently tells her it's okay if she wants to let go now.

The next day, Kumail gets a text from Terry telling him to go to the hospital. When Kumail gets there, he finds that Emily is awake, sitting with Beth and Terry. The three are told by a doctor that Emily's disease causes her body to think she's sick and is fighting against an otherwise harmless ailment. When they leave the room, Kumail goes to talk to Emily, but she is still mad at him for what happened before she went comatose. She says Kumail makes her feel sad and she doesn't want to see him. Kumail dejectedly leaves. He passes Beth and says it's crazy that they went through something together and that they probably won't see each other again. Beth says maybe it doesn't have to be like that.

Beth and Terry host a welcome-home party for Emily. Kumail shows up with a gift and talks to Emily in private. He claims that he's changed and wants her to take him back. Emily argues that he only came to this realization when she was sick and that she doesn't think it's fair for either of them to pursue something they don't feel mutually.

Kumail returns to the comedy club after his disastrous performance. CJ and Mary tell Kumail they are moving to New York City and they want him to join them so they can continue doing comedy over there.

Kumail goes to his parents' house. Everyone, including Naveed and Fatima, is giving him the silent treatment. Kumail has prepared cards to anticipate their responses to try and break the tension. He insists that he will not be kicked out of the family because he is technically part of the family and the decision should be unanimous. The family continues to stay silent.

Life continues to go on for everyone. Kumail continues to perform stand-up and his one man show. Emily goes through physical therapy. Beth and Terry are able to sleep in the same bed together again. Emily watches a video of Kumail bombing as he talks about her, knowing what he said about her was sincere. Beth talks to Emily about how Kumail was there for her the whole time.

Kumail is getting ready to move with CJ and Mary. A car pulls up across the street. Azmat comes up to Kumail with a container filled with Kumail's favorite home-cooked meal. Sharmeen still refuses to talk to or even look at Kumail. Azmat still insists that Kumail is kicked out, but he wishes his son good luck as he moves.

Kumail is now performing in an NYC comedy club. In the middle of his bit, he hears a "woo-hoo!" It's Emily with some friends. They have the same exchange they had about heckling when they first met, and Kumail asks what brings her to New York. Emily says she is there to see someone. The two then share a hopeful and loving smile.

The closing credits feature pictures of the real Kumail Nanjiani with his wife Emily V. Gordon (whom Movie-Emily is based off of), and their traditional Pakistani wedding with Kumail's brother and parents standing next to them.

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Ver The White Princess Película completa Transmisión en línea

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• Title: The White Princess
• Year:
• Duration: unknown
• Rating: 7.6
• Genres: Drama, Romance, History

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Summary The White Princess

Based on the Philippa Gregory book of the same name, the story of Elizabeth of York, the White Queen's daughter, and her marriage to the Lancaster victor, Henry VII.

Adapted from Philippa Gregory's best-selling novel and part of The Cousins' War book series, The White Princess sees England ostensibly united by the marriage of Elizabeth of York and King Henry VII, but their personal and political rift runs deep and the war that rages between them threatens to tear the kingdom apart once again.

Synopsis The White Princess

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Ver Newness 2017 Transmisión en vivo de película completa

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• Title: Newness
• Year: 2017
• Duration: 1h 57m
• Rating: 6.3
• Genres: Drama, Romance

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Summary Newness 2017

In contemporary Los Angeles, two millennials navigating a social media-driven hookup culture begin a relationship that pushes both emotional and physical boundaries.

In contemporary L.A., two twenty-somethings millennials, Martin, a pharmacist and Gabi, a physiotherapist spend their weekends "swiping" on a dating app. The options are endless, but it's less about connection and more about hooking-up. But when they meet, they find themselves talking into the early hours. Connecting. It's exciting. It's new. They mysteriously regain their feelings and fall in love. Exhilarated by each other, they rush into a relationship. They go out on dates. They move in together. They skip work to make love - But soon the relationship becomes boring. And they decide to try an open relationship.

Synopsis Newness 2017

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Ver Disobedience 2017 Película completa Transmisión en línea

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• Title: Disobedience
• Year: 2017
• Duration: 1h 54m
• Rating: 6.6
• Genres: Drama, Romance

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Summary Disobedience 2017

A woman returns to her Orthodox Jewish community that shunned her for her attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality.

From a screenplay by Sebastián Lelio and Rebecca Lenkiewicz, the film follows a woman as she returns to her Orthodox Jewish community that shunned her decades earlier for an attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality. Based on Naomi Alderman's book, the film stars Rachel Weisz, Rachel McAdams and Alessandro Nivola.

Synopsis Disobedience 2017

In a Jewish Orthodox Synagogue in Hendon, the frail Rav Krushka (Anton Lesser) collapses whilst giving a sermon. As funeral rites commence in London, the Rabbi's exiled daughter Ronit Khruska (Rachel Weisz) is living her life as a photographer in Manhattan. During a photo shoot she is told by the Brooklyn Synagogue of her father's death; wounded by the news and in a vulnerable state, she gets drunk in a local bar and sleeps with an undetermined man.

Ronit flies home to London where she feels out of place in the Orthodox Jewish community she left behind. She is greeted at the home of Dovid Kuperman (Alessandro Nivola), a son figure to the Rav, who is taken aback by the unexpected return of his childhood friend. Her welcome inside the home is hostile from those in the community gathering in the Rav's honour. Her aunt Fruma Hartog (Bernice Stegers) greets her more openly, though the air is frosty between Ronit and her uncle Moshe Hartog (Allan Corduner). Ronit is both upset and angry that she was not informed of her father's illness and that her father's obituary claims he was childless.

Despite tension surrounding Ronit's sudden departure in the past, Dovid invites her to stay with him and his wife. Ronit is shocked to discover that he is married to their former best friend Esti (Rachel McAdams), now a teacher at an Orthodox girls' school. It is uncomfortable between the two women; a complicated past is clearly hanging over them. The next day Ronit visits her father's grave. After further prayers at their home, Dovid, Esti and Ronit go to a dinner at the Hartog house with Rabbi Goldfarb (Nicholas Woodeson) and Rebbetzin Goldfarb (Liza Sadovy). Ronit tries to talk to her Uncle about selling her father's house, but he tells her now is not the right time for such a topic. Conversation turns to Ronit's successful career as a photographer and Rebbetzin questions why she goes by Ronnie Curtis after seeing one of her photos in a magazine. Esti, quietly joining in the conversation, states that women change their names all the time when they get married and lose their own history. Everyone is silently shocked at Esti's controversial comment.

Rebbetzin continues questioning Ronit's life in New York and asks why she is still not married, as it's the way it should be for a woman. Ronit disagrees, calling marriage an institutional obligation and if she had stayed in the community and been married off, she would have killed herself. Everyone is shocked by her outburst and Ronit, blaming her jet lag, excuses herself to go home. Dovid, upon Esti's request, leaves to walk her home. Ronit breaks down to Dovid, hoping her father knew she truly loved him. Dovid, struggling against the rules of his religion, tries to comfort his childhood friend without touching her.

Ronit visits her uncle Hartog at his wigmaker's shop to continue the discussion of selling her father's house, but is informed by Hartog that the Rav left the house and all its contents to the Synagogue. She leaves and soon runs into Esti outside a supermarket. They visit the Rav's house together - a rundown mess full of medical equipment, it is not so much the house that Ronit wanted, but for her father to acknowledge her in his will. Esti admits that she does not want Ronit to leave again; past feelings are reignited and they kiss, at first timidly as Ronit pulls back, and then passionately. Ronit retreats once more, confused about her feelings.

They leave the house and Esti confesses that she had called the Brooklyn Synagogue to let Ronit know of her father's death. She tells Ronit that she married Dovid, a man she doesn't love romantically but respects, as she was mentally unwell following Ronit's sudden departure and married their best friend upon the Rav's suggestion. As they relax into each other's company and kiss again, they are interrupted by Hinda (Clara Francis) and husband Lev (Mark Stobbart) and are unsure how much they saw. Esti rushes home, tense; she almost embraces Dovid but their marriage still lacks the passion she has with Ronit. At school, Esti is summoned to see the headmistress Mrs. Shapiro (Caroline Gruber) where Hinda and Lev are waiting to confront her. Allegations about Esti and Ronit also plague Dovid when he is asked by the Synagogue to take on the Rav's work.

Ronit waits for Esti at the school gates, where Esti tells her about the formal complaint Hinda and Lev have submitted against her. Upon Ronit's suggestion, they escape the close knit community and head into central London for the day. Ronit and Esti continue to be conflicted in their attraction to one other; Esti feels guilty and is trying to lead a good life in line with her faith, but cannot help but desire her former lover. They go to a hotel where they make love, completely at ease and euphoric in each other's company. They talk about how Ronit's father first learnt of their relationship all those years ago.

Esti returns home late at night, where Dovid is waiting in their bedroom. He tries to get close to her but his yearning to be intimate with his wife is rebuked once again by a confused Esti. Nauseous the next day, Esti begins to wonder if she is pregnant. Dovid confronts Esti about Mrs Shapiro's accusations and she admits what happened between them. Dovid's anger almost turns violent as he releases his frustration at his wife's inability to embrace their life together. Ronit, having overheard the argument, tries to persuade Esti to leave her husband, but Esti struggles to come to a decision. They both try to convince each other, and themselves, they are happy in their lives.

Unable to cope with the current events, Dovid seeks refuge in a quiet Synagogue library. The atmosphere is tense when he returns home for dinner with Ronit and Esti. When Ronit announces that she has booked a flight back to New York that night, Dovid seems relieved and quietly asked his wife what she plans on doing now. Ronit and Esti share a difficult goodbye, both unable to share their true feelings. Esti accuses Ronit of taking the easy option by leaving, Ronit storms out the house and Esti slams the door behind her; both heartbroken at the recent events.

In the middle of the night, Esti leaves the house whilst Dovid is asleep and returns to the hotel room with a pregnancy test. Waking up at the airport the next morning, Ronit receives a panicked phone call from Dovid saying Esti is missing. After trying to calm him down, she continues to check into her flight, but later decides to leave and help Dovid in the search for her.

Returning home after failing in their search for Esti, Ronit is still angry that Dovid didn't tell her of her father's illness. Esti returns from hiding and, having heard everything, announces her pregnancy. Dovid is joyous, believing a child will solve all their marital problems, but Esti instead asks for freedom for her and her child. She was born into the community and wants to give her child the freedom of choice she never had. Dovid is speechless and Esti feels guilty for crushing her husband's dreams of becoming a father.

Ronit and Esti attend the Hesped at the Synagogue, intimidated by the judgemental looks they receive. Esti tries to make peace with Dovid, but he ignores her. Moved by the temple's sacred atmosphere, Ronit asks Esti to be with her in New York. They clutch hands as Dovid takes to the podium, where he struggles to deliver the official speech on the Rav's passing. Seeing Ronit in the crowd, he instead contemplates the notion of freedom and choice, a topic that the Rav spoke about in his final sermon, and grants Esti the autonomy she has requested. Dovid declines the Synagogue position and abruptly leaves the Hesped. Outside, overcome with emotion Esti and Dovid hug. Ronit watches on in the distance until Dovid extends an arm and the three friends have a long heartfelt hug together.

The next morning, Ronit prepares to leave for the airport. She bids a quiet farewell to Dovid outside his bedroom and goes to see Esti, who has slept on the sofa. They say goodbye; it seems Esti has decided against joining Ronit in New York. As Ronit's taxi pulls away down the street, Esti runs after her and the pair share a long goodbye kiss, promising to remain in contact. An emotional Ronit visits her father's grave one last time and takes a photo, achieving a sense of closure over his passing and the recent events.

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American Honey 2016 Película completa Bluray Stream

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• Title: American Honey
• Year: 2016
• Duration: 2h 43m
• Rating: 7
• Genres: Drama, Romance

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Summary American Honey 2016

A teenage girl with nothing to lose joins a traveling magazine sales crew, and gets caught up in a whirlwind of hard partying, law bending and young love as she criss-crosses the Midwest with a band of misfits.

Star, a teenage girl with nothing to lose, joins a traveling magazine sales crew, and gets caught up in a whirlwind of hard partying, law bending and young love as she criss-crosses the Midwest with a band of misfits.

Hopelessly, Star, a troubled Texan,18-year-old teenager, decides to run away from her dysfunctional family, and lured by the charms of Jake, a cocky and rebellious lead salesman of a wandering door-to-door magazine subscription selling team, will leave for Kansas City on a road adventure throughout the American Midwest. Gradually, Star, the American Honey from the South, among a motley crew of teenage misfits, will finally find a place where she can really fit in, and before long, she will immerse herself deep into a world of recklessness, fearless self-exploration, experimentation and youthful love. Ultimately, Star swept up, while at the same time baffled by the confident Jake, will take the risk of falling in love and get hurt, even if this means she could drift and get lost on the way.

Synopsis American Honey 2016

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This Is Us Película completa HD Transmisión en línea

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• Title: This Is Us
• Year:
• Duration: unknown
• Rating: 8.7
• Genres: Drama, Comedy, Romance

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Summary This Is Us

A heartwarming and emotional story about a unique set of triplets, their struggles and their wonderful parents.

Rebecca Pearson once had a difficult pregnancy with triplets. The resulting births occurred on the same day as her husband Jack Pearson's thirty-sixth birthday. The lives of Rebecca, Jack and their three offspring - Kevin, Kate and Randall - are presented at different points in time. The Rebecca and Jack stories generally take place during the early stage of their marriage, surrounding the birth of the three children or at different phases of the children's upbringing, which was not always smooth sailing for any of the five. Separate stories concerning Kevin, Kate and Randall are also presented in their adult years, each who has his or her own baggage resulting from that upbringing: Kevin who was generally the neglected one because he had no outward issues; Kate who has always had weight issues; Randall, the gifted one, being the visible outsider and being the "non-K" child. These stories may demonstrate the emotional ties that exist not only because of being family, but also because of four of them having the same birthday and some of them having always been together, meaning since conception.

The Pearson family's generational story unfolds in this emotional drama. In moments of love, joy, triumph and heartbreak, revelations emerge from parents Jack and Rebecca's past, while triplets Kate, Randall and Kevin discover deeper meaning in their present day lives. Successful businessman and father Randall searches for information about his biological parents. Kate finds love and self-acceptance while battling obesity. Kevin pursues a more meaningful career, which brings some difficult choices.

Synopsis This Is Us

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Ver Streaming Me Before You 2016 Transmisión de película completa en línea gratis

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• Title: Me Before You
• Year: 2016
• Duration: 1h 46m
• Rating: 7.4
• Genres: Drama, Romance

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Summary Me Before You 2016

A girl in a small town forms an unlikely bond with a recently-paralyzed man she's taking care of.

Lou Clark knows lots of things. She knows how many footsteps there are between the bus stop and home. She knows she likes working in The Buttered Bun tea shop and she knows she might not love her boyfriend Patrick. What Lou doesn't know is she's about to lose her job or that knowing what's coming is what keeps her sane. Will Traynor knows a road accident took away his desire to live. He knows everything feels very small and rather joyless now and he knows exactly how he's going to put a stop to that. What Will doesn't know is that Lou is about to burst into his world in a riot of color. And neither of them knows they're going to change each other for all time.

Louisa Clark is a small town girl who knows a lot about the people around her. Will is a quadriplegic man who hates everyone around him. Louisa is hired by Will's mum to take care of him for six months. Although they have a rocky start, their relationship grows over time, going for hate, to like, to love.

The twenty-six year-old waitress of a cafe Louisa "Lou" Clark is a charming woman that lives with her parents Bernard and Josie Clark, her sister Katrina "Treena" Clark and her grandfather in a small town in the United Kingdom. Lou supports the whole family since Bernard is unemployed and Treena is a student. When she loses her job, she applies to the position of caregiver of the wealthy banker Will Traynor, who was hit by a motorcycle two years ago and became tetraplegic. Will's mother Camilla Traynor, supported by her husband Stephen Traynor, hires the inexperienced but happy Lou to take care of her son together with his nurse Nathan. When Lou meets Will, she finds a bitter, cynical and depressed young man that had lost the will to live. Further, she learns that the handsome Will was a successful athlete and banker. Will she lift his spirit?

Since a motorbike crushed into him, silver spoon William 'Wild Will' Traynor's glamour life as corporate raider turned into a nightmare of near-paralyzed wheelchair agony and bitter solitude. His rich but desperate parents, owners of British town's grand manor and medieval castle, hired perfect male nurse Nathan for all able medical assistance but are up to their fifth audition for a well-paid job as permanent companion. The only eligible candidate this time is airhead local Lou Clark, daughter of an unemployed laborer, who never holds a job more then a few days. This time however she neglects her jealous-made fiance Patrick, the jock local award gym entrepreneur, trying anything to bond with Will, who slowly starts caring for her company enough to live again, even publicly and abroad, and introduce her to society. However his incurable condition, extremely vulnerable to any infection, still dictates his determination to get legal euthanasia in Switzerland after the six months ample consideration he promised his parents.

After losing her job as a waitress, a young woman named Lou (Emilia Clarke) is hired to act as a caregiver for Will (Sam Claflin), a banker who was paralyzed in an accident. Although Will has grown despondent since his injury, Lou's no-nonsense ways force him to reconnect with life, and the pair eventually develop feelings for each other..

Synopsis Me Before You 2016

The opening credits begin to show on a bright white screen. A female voice suggests they 'do this' on their holiday instead of all the mountain climbing her partner has planned. As the camera zooms out, the white becomes recognizable as the creased sheets of a bed. A young couple are having sex under a fluffy duvet. Only their heads are visible. The man is on top. Alicia, a beautiful blonde woman, giggles. Will Traynor (Sam Claflin) smiles and asks her if he should stop. Alicia mentions the time. It is six fifteen. Will gets up to get ready for the office. When he goes into the bathroom, he looks back at Alicia and promises to cook dinner that night. He takes a shower. He is a fit man of around thirty and his body is muscular and well toned. He runs his hands through his wet hair. We see his hands putting an electric toothbrush down by the bathroom basin. He gets dressed and the screen is filled by the image of his hands buttoning up his crisp white shirt, then tying the laces of a pair of highly polished leather shoes. Wearing a business suit, he bends over Alicia, who is still in bed, and kisses her goodbye. Energetically he walks across the spaceous and very bright apartment which is minimalistically furnished almost entirely white. He stops at a long counter and his hand reaches for a motorcycle helmet. Alicia's voice is heard from the bedroom. She tells him to not even think about it because it's raining. He leaves the house on foot, emerging into teeming rain. Already on his mobile phone and talking business, he rushes across the street. A bicycle narrowly misses him. He sees a black London taxi a little way up the street and hails it, then dashes across the road without looking, still talking on the phone, giving instructions to his office mate Freddy. The lights of a speeding motorcycle appear behind him. Will walks straight into path of the oncoming vehicle. Somebody screams. He turns and freezes, his eyes widening in surprise. The screen fades to black and the title of the film appears in white letters.

In a cafe in a quaint small town with an imposing ruined castle Louisa 'Lou' Clark (Emilia Clarke) is serving customers. She is wearing a rather childlike outfit in bright colors, with polka dots and bows on her shoes, her legs are encased in canary yellow tights and her hair is tied in two pigtails which are twisted into buns on either side of her neck. She is endearingly sweet and chatty, trying to please everybody with her witty banter. When the last customer has left the cafe, the owner puts a closed sign on the door, tells her that he is sorry, and hands her a small brown envelope containing a month's wages.

Lou walks home to the small terraced house where she lives with her parents, her sister Treena (Jenna Coleman), Treena's young son and her grandfather. The small kitchen is crowded. The family is depending on the income of the two girls because father Bernard (Brendan Coyle) is out of work, and it hits them hard that with the cafe closing down Lou is losing her job. They talk about how hard it is to find work.

Lou, wearing another brightly colored outfit, is sitting by the track in an athletics stadium. A runner comes along the track. It is Patrick, Lou's steady boyfriend of six years. The jersey he is wearing reads "Young Entrepreneur of the Year". He talks to her about getting a job. Throughout the conversation he keeps running, at times backwards, facing her.

Lou is sitting at a desk in the empoyment agency. The kindly clerk tells her that he is running out of options for her, but he consults his computer and finds a fixed-term six months position for a caregiver and companion to a disabled man, with chores like assisting, driving and feeding, but without requirement for special skills. He hints that she might have to change her style of dressing, but tells her that it is close to her home and that the money is very good. He also mentions that it is the fifth time this particular job is being offered.

Lou is getting ready for the job interview. Her mother helps her dress in what she considers smart clothes, visibly in the style of the 1980s, which she mentions served herself well in the past. They are a tight fit on Lou, but she smiles bravely and takes the bus to the other side of the castle. Through a door in a high stone wall Lou enters a large gravelled courtyard where several expensive looking cars are parked. She walks across the gravel expanse towards the imposing old stone building with arched windows. A professional looking person in nurse's uniform is walking away from the house, and Camilla Traynor (Janet McTeer) is awaiting Lou by the entrance to the grand house. She greets Lou and asks her in.

Lou is nervous. When she sits down, her tight short skirt rips along the side of her leg. She tries to cover it with her jacket while she awkwardly stutters her way through the interview, making a few ill timed attempts at friendly banter. Camilla asks her if she has any experience with quadriplegia, mentioning complete loss of legs and very limited use of arms and hands. Lou admits that she has no experience, but is quick to add that she is a quick learner and will take good care of Mrs. Traynor's husband. Camilla looks at her, then, in a surprisingly soft voice, tells her that it is her son who needs care after being injured in a road accident two years prior. Lou is dumbfounded. Despite the disastrous course of the interview, a reference from Lou's previous employer describing her as chatty, warm and life enhancing has struck a chord with Camilla and she offers Lou the job. Lou is visibly surprised, but delighted, and eagerly agrees to start immediately.

Leading Lou across the hallway of the grand house, Camilla explains that Will is not to be left alone for more than fifteen minutes. She opens a door leading into an annex which has been adapted for Will's needs. The spaceous apartment is modern and stylish, but rather dark and sterile, furished in tones of dark grey with natural wood. Camilla slides open the door to the bathroom and Lou stares at a bathroom wheelchair which takes up much of the floor space. Camilla walks across the kitchen towards a frosted glass partition with sliding doors. She knocks on the doors and a male voice with a marked Australian accent answers that Will 'is decent'.

Lou enters the room behind Camilla, who introduces her to Will. A young man in nurse's overalls rights himself and stands beside the electric wheelchair Will is sitting in. Will has long hair and an untrimmed beard. He sits in his chair, upright and motionless, his lifeless arms resting on the arm rests, his hand by the controls of the chair. Lou smiles broadly and says hello. Will contorts his face and makes loud inarticulate noises. His mother reprimands him sharply. Lou is horrified. Will's face relaxes and he looks at her, introducing himself in flawless tones. He then makes a pointed remark about her torn skirt. Nathan (Stephen Peacocke), the good looking Australian nurse, gently berates Will, then smiles at Lou and shakes hands with her. Camilla asks Nathan to talk Lou through Will's care regime and equipment. Will aims a biting remark at his mother before she leaves them. Despite Will levelling yet another unkindly comment at her, Lou puts on a brave smile and offers to make tea.

Lou's family are delighted, if somewhat surprised, when they hear that she got the job with the fabulously wealthy Traynors.

Lou arrives at work the next moring. She is dressed in yet another colorful outfit, her hair tied in two childlike pigtails. Nathan, professional but friendly, is expecting her. He shows her a large file containing Will's care schedule. Lou is overwhelmed by the amount of medication she will have to administer, but visibly relieved when Nathan explains that he will be doing all heavy lifting and attend to delicate physical matters. He assures her that though he has to attend to other patients during the day he will never be far away if she needs to call him. Lou asks him just exactly what is her job. He smiles and suggests it might be to cheer up Will.

Lou's efforts to entertain Will are met with sarcasm and bitterness. Eventually he suggests that she be 'very un-chatty' in his presence. Lou swallows, then agrees, saying she will be in the kitchen in case she is needed. She spends the morning reading through the file, familiarizing herself with Will's care requirements. Nathan arrives at lunch time. He greets her and asks how Will is and if he has treated her to his Stephen Hawking impression or if he has stuck with 'My Left Foot'. Then he suggests Lou take lunch while he attends to his patient.

That evening, Lou and Treena have a chat in her bedroom. Lou hates the job and is thinking about quitting. Treena intends to go back to college and won't be able to work and help with the family finances. She implores Lou to stick it out for her sake, and kind hearted Lou promises that she will try.

Without much enthusiasm Lou keeps going to work, wearing a different crazy outfit every new day, each one eliciting a tortured wince from Will. He mostly ignores her, only occasionally makes unkindly and hurtful remarks, once suggesting she is snooping when, while tidying his bedroom, she picks up one of the framed photos displayed on a console to look at it closely.

One morning Will has visitors: Alicia and his best friend Rupert have come to see him. The meeting is an uneasy one. Both visitors try to make excuses why they haven't been to see Will in some time. Then they tell him that they are getting married.

The visitors have left and Lou is in the kitchen clearing away the coffee tray. She hears something clattering to the floor and the noise of glass breaking. Terrified, she follows the sound and finds Will in his bedroom, the photos from the console scattered on the floor around the wheels of his chair. She rushes to clean up the broken glass of the frames before it can damage the tires.

Lou is sitting outside a pub with Patrick. He tells her the destintion he has picked for their holiday. Lou is underwhelmed at the mention of Norway, but manages to feign some enthusiasm. When she learns that he is going to participate in the Viking Triathlon along with his mates she expresses disappointment. Patrick sees no problem with his choice and condescendingly suggest they can do some sightseeing after his race.

Back at work, Lou is trying to mend the broken frames of Will's pictures, also offering to get new ones or bring Will so he can choose his own. He explains that the broken pictures were not an accident and tells her in so many words to stay away from him. Lou loses her patience and good humor for the first time and tells him off for treating her like this when all she does is trying to do her job. She makes it clear that she does not like him or particularly wants to be around him, but is there because this is what his mother is employing her to do, and that she is staying because she badly needs the money. Will quietly asks her to put the photos into a drawer, then withdraws to his lounge, the doors sliding shut behind him.

Another morning Will asks Lou to put on a DVD of a foreign film, Des hommes et des dieux. Lou is non-plussed by the French title, guessing it must be something to do with men. Dripping with sarcasm, Will tells her it's French gay porn. Lou refuses to rise to the bait and remains sweet and polite. Will, realizing that she has never watched a foreign film with subtitles and is prejudiced against them, orders her, not unkindly, to sit down and watch it with him. He shoots her intermittent glances out of the corner of his eye as she stares at the screen, utterly transfixed. When the film is over, they have their first friendly conversation, with Lou readily admitting that she absolutely loved the film. Later that day Nathan, passing Lou in the kitchen, comments that Will is in a good mood, having laughed about one of Lou's naive blunders, but is quick to put her at ease that it is all good because it's is the first time in a very long time that Will has laughed about anything. Lou happily smiles to herself.

Will has a routine check up in the hospital. Nathan and Lou are waiting outside the consulting room. Nathan, realizing that Lou has not yet grasped the full implications of Will's injuries, explains that his condition is final and he will never be able to move more than his head and a few fingers, having worked very hard for the first year after his accident to achieve the latter, before additional health problems like repeated bouts of pneumonia started to affect him in the wake of the initial spinal cord injury. Lou is stunned.

Patrick takes Lou to the cinema. She sees a poster for a foreign film and suggests they watch it. Patrick sneers at the idea and buys tickets for the Will Ferrell film without further consulting her.

It is snowing when Lou arrives at the Traynor residence the next morning. In the annex, Will's father Stephen (Charles Dance) emerges from the bedroom, explaining that Will has a slight chill. He mentions that his wife is away and that he has contacted Nathan, then leaves, saying he is on his mobile if he is needed. When Lou checks on Will, he asks her to right his head on the pillows. Lou nervously leans over the bed and gently slides her hands under his head and neck, following his instructions. Will gasps. Lou freezes apprehensively, then smiles with relief when he explains that her hands are cold. Will is pale and looks ill. Lou nervously scans the pages of the care manual. By the time Nathan arrives, delayed by the snow, she is very concerned. Nathan takes one look at Will and jumps into action, pulling back the covers and stripping Will so he can place wet towels on his chest to help reduce his temperature. Lou watches and listens to his instructions, then, with horror, notices the large, recent looking scar on the inside of Will's wrist. When Nathan is satisfied that all will be well, he leaves Lou to look after Will, having to see to another of his patients.

Lou sits with the sleeping Will, reading a book. Then she reaches for a laptop, opens the lid and clicks on a video icon. The preview shows a picture of a fit and healthy looking Will, barechested, muscular and tanned. She plugs in earphones and opens the video. Set to the theme tune of the Bond films, there is footage of Will doing various daring action stunts. He wakes and sees her smiling at the laptop. He gently teases her, saying he hopes she is watching French gay porn. Lou closes the lid on the laptop with a gentle repartee and smiles at him. Will asks her why she is still there at this late hour. Lou explains that nobody else is around and that he is stuck with her. She offers him a drink, then tentatively asks him about his accident. He tells her. Lou remembers that he is very weak and apologizes for being chatty, again, and promises to leave him to rest. Will asks her to stay and tell him something good. Lou laughs and tells him that whenever she said this to her father, he would sing her the Molahonkey song. Will asks her to sing it, which she does, badly. He is amused and tells her affectionately that she is insane. Then he asks her to tell him something else which doesn't involve singing. Lou tells him about her favorite glitter wellingtons and a pair of yellow and black stried bumble bee tights she loved above anything when she was little, and how she was heartbroken when she outgrew them and could never find another pair to fit a grown woman. Eventually Will falls asleep and Lou spends the night, curled up in a blanket, reading a book at the foot of his bed.

Lou and Will are in the garden of the Traynor estate. He asks her about herself and her crazy clothes. Her innocence and complacency with her station in life irritate him. He encourages her to get out there and expand her horizon, telling her it is her duty to live life to the fullest. Lou changes the topic and mentions that he badly needs a shave, quickly adding a witty remark to lighten the situation. Will looks at her levelly and surprises her by saying that he will let her shave him.

In the bathroom, Lou has covered Will's face in shaving cream. He closes his eyes firmly as she starts shaving him with great care. She smiles and gazes at him in wonder as she removes more and more of his beard. When she is finished, Will opens his eyes and a wide grin spreads over his handsome face.

Lou goes into the hall of the main residence and leafs through some papers. Through an open door she overhears a heated discussion between Will's parents. Camilla mentions a letter from Switzerland and says to her husband that she cannot believe that he is willing to help their son end his life. He reminds her that they have made a deal with Will that he give them six months, but that she knows it is his wish, and in how much pain he is, adding that he would rather this (referring to assisted suicide) than have him try again, alone. Lou is stunned. Then she leaves the annex without a word, not even responding to Will's cheerful goodbye. Behind her, Will's father can be seen sitting in the lounge with his son.

Lou rings her sister and tells her that she needs her. When they meet, she tells Treena what she has overheard and says that she cannot go back to there, now that she knows that she was basically hired as suicide watch. Treena looks at it from another angle.She suggests that with all the money the Traynors have, Lou should show Will a good time and make his last days happy. To make him laugh. Slowly Lou comes around to her way of thinking. She even goes a step further, suggesting she might be able to change Will's mind during the time she has left.

Lou goes to the library and does research to find activities she can do with Will, then discusses her plans to take Will out with his parents. They are happy for her to go ahead and try.

The next morning Lou bounces into the annex, and through the open door right into Will's bedroom, just when Nathan is lifting him into his wheelchair. She is so excited about her plans for the day that she only comments in passing on the fact that he had his straggly long hair cut short. Lou tells them that they are going to the races.

The outing doesn't get off to a good start. She parks the car in a wet field and Will's wheelchair gets stuck in deep, soft mud almost immediately. He quietly endures the indignity of being pushed onto firmer ground by a group of passing lads whom Lou has cheerfully recruited to help them. They watch a couple of races, with Lou being the only one really enjoying herself. Later Lou makes an embarrassing scene when they are refused admission to a restaurant on the grounds that they have the wrong color badges. Lou ignores Will's quiet hints that he would rather not eat in public. Only when Nathan steps in and tells Lou straight out that Will wants to go home, does she give in.

Back at home, Will is sitting in his wheelchair in the middle of the lounge, deafening rock music filling the room. Lou comes in. She is quick to admit that the outing to the races was not a good idea, but bravely goes ahead with her next plan. She invites Will to go with her to a concert with music by Mozart, this time giving him the option to decline. Will, after eliciting that she has never been to a classical concert, initially sniggers at the idea of Mozart, then, seemingly begrudgingly agrees to go. When Lou has left the room, a happy grin spreads over his face.

Over a webcam Lou discusses dresses for the concert with her sister. Treena is quick to point out that Lou is going on a date with Will Traynor. She tells her to wear her red dress.

On the night of the concert Lou arrives at the annex just as Nathan is putting the finishing touches on Will's outfit for the night. When he sees Lou, attired in a flamboyant red dress, with black shoes and her hair loose, a soft pink scarf draped around her neck, an exclamation of admiration excapes him. Will spins around his wheelchair. He is immaculately dressed in tuxedo and black tie. He looks at Lou and tells her to lose the scarf. He is smiling broadly when Lou slowly takes off the scarf and reveals her decolletage.

At the concert venue, Lou discreetly directs Will as he carefully maneuvers his wheelchair into the space beside her seat. Despite her efforts to behave like a lady, Lou attracts the attention of onlookers when, not having a scissors to hand, she uses her teeth to remove a tag which is digging into the back of Will's collar. When the music starts, she listens in quiet rapture, Will watching her out of corner of his eye.

Lou backs up the car into its parking space outside the Traynor residence. Will gently teases her, saying that she hated the concert. Lou goes along with the banter, then suddenly is honest and admits that she loved it. Will says that he did too. He begs her to wait in the car for another little moment, wanting to feel like a man who has been to a concert with a woman in a red dress for a little longer.

Lou and Will are having a picnic. She is sitting on a blanket in the grass, getting up intermittently to feed Will and give him something to drink. She tells him that Patrick wants to meet him. Then adds that so do her parents, and that they have suggested she ask him to her birthday dinner that week. She is quick to add that she has declined, knowing that he dislikes meeting strangers and eating in public. Will surprises her by saying he will come if she wants him to.

Nathan is dropping Will off at Lou's home. Her parents, Bernard and Josie, are welcoming him warmly. Will is charming and reacts with grace and wit whenever a situation or topic of conversation threatens to become embarrassing. When Lou's father asks him if he knows the man whose deals caused him to lose his job, Will admits that he has trained him. There is an uneasy silence, but again Will is quick to tide over it, complimenting Josie on the delicious food. Patrick arrives late and is, as usual, preoccupied with himself and his running. He is the only one who stares when Lou is discreetly feeding Will at the table and who insensitively ploughs on when a conversation takes an uncomfortable direction. Later there is cake and presents for Lou. The family have made her a cheap and cheerful photo album with pictures of her throughout her life. She thanks them warmly and shows them how much she loves it. Then Patrick proudly presents her with a piece of jewellery he had specially made for her. Lou is visibly disappointed when she sees it's a necklace with a silver heart inset with the letters of his name, but she does her best to feign enthusiasm. Will observes Patrick stealing a kiss from an unwilling Lou. Then he quietly says that he too has a present for her. He tells her it is in his bag, and she squeezes into the corner behind his wheelchair to take it out. It is a stylish gift box. She opens the lid and is deliriously happy when she sees that it contains a pair of full size yellow and black striped tights. Patrick looks on as gloomily as Lou is insanely excited about the crazy tights and Will looks exceedingly handsome as he is laughing with her.

When Nathan comes to drive Will home, all come out to say goodbye. Will thanks them graceously and Lou's mother gives him an affectionate peck on the cheek. Before he leaves, Will makes a pointed remark at Patrick who rises to the bait and answers back. Will delivers a knockout parting shot, telling him he is a lucky guy, having a girlfriend who gives a great bed bath. Patrick is dumbfounded and stares at him while Lou's father can be heard complimenting Will's wit.

When Lou arrives in the annex the next day, reading out various events they could attend from a brochure, Will shows her an invitation to Alicia and Rupert's wedding that has arrived in the post. She stops talking. Quietly he asks her if he can take her somewhere.

They have gone over to the ruined castle, which is part of the huge Traynor estate. Will leads the way through the ruins and up the ramparts. He tells Lou about his first kiss, which he had in this spot. Then he accelerates up a steep ramp in his wheelchair. Lou follows him, out of breath and worried because of the height and his speed. He tells her about playing in the castle as a child and how it had been his favorite place in the world. Lou says it would still be her favorite place today. Will argues that is because she has not been anywhere. When she asks him where his favorite place is, he tells her about a street cafe in Paris, describing the place in minute detail. Lou suggests they could go there, but he firmly declines. He explains, with sadness, that he only wants to be there as his old fit and healthy self, not as a man in a wheelchair. He mentions various indignities he would rather not endure and which he'd rather not have spoil the memory. Then he says that he will go to Alicia's wedding and asks her if she will come with him. Lou answers that she will if he wants her to.

When Lou comes home, she finds her mother dressed to the nines, ready to go out. Her father bursts into the room, excitedly telling her that he has got a job. He has been offered a position as head of the maintenance crew at the castle by Will's father. He stresses that the money is good and Lou's mother proudly adds that he will also be getting his own van. Lou's parents go out to celebrate. Lou is on the phone to Will, knowing he is behind her father's new job, afraid it could make for an awkward relation between them. Will does not see a problem, he argues that it seems perfect, his father needing a maintenance man and her father needing a job and being eminently suitable for the position. Then he adds that it will also give her the chance to spread her wings when her job with him is finished, because her family won't have to rely on her income any longer.

Lou is at work in the annex. The doorbell rings and a man wearing a business suit introduces himself and asks for Mr. Traynor. Will asks him in and dismisses Lou in an untypically businesslike manner. Lou watches them talk and sees the man taking papers out of his briefcase. She googles his name and a picture of him comes up. Lou reads with horror that he is an attorney specializing in wills.

Lou and Will are attending Alicia's wedding. Will looks on sadly as Alicia walks down the aisle towards Rupert. Later the best man, his former workmate Freddy, comes over to talk to him, while also casting an admiring glance at Lou. When he moves away, Will assures Lou that Freddy is a nice guy and tells her that he fancies her. He is irritated when Lou jokes that he needs to have his eyes checked and tells her quietly that she is beautiful. When the newly weds take to the dance floor, an improbably glamorous middle aged lady (Joanna Lumley) sits down beside Lou and introduces herself as the godmother of the bride, adding immediately that the bride is not somebody she is proud to be morally responsible for. She encourages Lou to get drunk because it is hard to endure the occasion when sober, and also to look after Will, because he is a keeper. Alicia has the good grace to come over and talk to Will, thanking him for coming and for his present, but she is visibly relieved when her duty is done and she can move away. Lou, rather tipsy by now, climbs onto Wills lap and asks him to give her a whirl on the dance floor. She suggests that this will give everybody something to talk about. He drives his chair onto the dance floor and they spin around slowly among the dancing couples. He asks her to move in closer to him. After some lighthearted banter, Will looks Lou into the eyes and tells her that most days she is the only reason that makes him want to get out of his bed. She suggests they go somewhere where they can be happy together.

They leave the wedding reception, Lou still sitting on Will's knees, and are seen speeding along a the country lane in the wheelchair.

They arrive back home the next morning, having spent the night in a hotel. Camilla reprimands Will for not contacting her to let her know, and Nathan also is worried. He sees at one glance that Will has picked up an infection. He reprimands him for having been drinking and not having made sure all his needs were being properly attended to the previous night. Will, though visibly exhausted, insists that it doesn't matter and that they had a good time.

Patrick and Lou quarrel about her putting her work for Will before their own holiday plans. They part without making it up.

Lou receives a message on her phone that Will is in hospital. When she arrives there, she sees Nathan and Will's father sitting in a small waiting area outside a private room in the ICU. Camilla is sitting with Will. Lou is stunned when she hears Will has pneumonia, saying all he had on the day of the wedding was a slight cough. Nathan explains that his system is so weak and that the slightest chill can lead to infection of his lungs. Will's father adds that this is his fourth bout of pneumonia and that the previous one had nearly killed him.

After spending the night in the hospital and sitting with Will for a while in the morning, Lou is back in the annex, cancelling the reservations for a planned trip. Nathan comes in with a supply of medication. He sits down at the kitchen counter opposite Lou. She looks at him and asks him if he knows, referring to Will's plans to travel to Switzerland to end his life. Nathan says yes, he does, and tries to explain to her just how hard Will's life is, and how much pain he is constantly suffering, even though he hides it when Lou is around, doing everything he can to make her happy. Lou is desperate. She asks Nathan if he would accompany them on one last trip if the doctors agree to Will going. Nathan confirms that he would, telling her that he too wants Will to live, but only if he wants it himself.

In Lou's home Patrick is waiting for her with a candle lit dinner. He wants to make up for their tiff on the day of Will's pneumonia. The food is healthy rather than delicious. When he sees a brochure for the trip Lou is planning for Will, he becomes jealous, saying it is not a holiday but a honeymoon. When Lou mentions that Nathan will be coming too, the idea of her on a holiday with two men infuriates him even more. Lou is firm that she is putting Will first and Patrick leaves. Lou is deeply unhappy about their acrimonious parting.

Lou, Will and Nathan are travelling in a private jet. Will is much weakened after his recent illness. They arrive at a luxury beach resort in an exotic location. Lou is spending all of her time with Will. Nathan is amusing himself with a pretty blonde when he is not needed. Will and Lou encourage them to spend time together, assuring Nathan that they will be fine.

It is night. There is lightning. Lou, dressed in a long white shirt, walks across Will's room to close the French doors. He asks her to leave them open so he can see the lightning. She walks over to him, checking he is all right. He asks her not to go back to her own room. Lou gently lies down on his bed, close beside him, then moves her head over his, her lips close to his. As they kiss, there is more lightning and the electric light in the room goes out.

Will has booked Lou on a scuba diving tour. He won't listen to her objections, and when she finally resurfaces after the dive she is ecstatic.

At night Lou is slowly dancing on the beach under the stars. Will is sitting in his wheelchair, watching her from the end of a wooden boardwalk, impossibly handsome with a deeply tanned face, dressed in a white shirt and trousers. Lou walks towards him, then sits on his knees. Will say that he needs to tell her something. Lou answers that she knows about Switzerland. She suggests that she can make him happy, and he concedes that life can be good, but adds that he will never be able accept his life as it is now. He speaks of pain and exhaustion, and he insists that he would never want to be the cause of any regrets she might have later in life. He tells her that what she has done for him over the last weeks is the most wonderful thing anybody could have done for him, but firmly adds that this is where it must end for him. Then he asks her to travel to Switzerland and be with him until the end.

Lou is distraught. She tells him that she loves him and that she needs him, that she is a new person since she has met him, but that now he is asking her the worst thing imaginable and that she wishes to never see him again, indeed, that she had never met him in the first place. She runs away from him, leaving him to call after her.

On the trip home, the mood is subdued. Lou and Will are not talking, but when he is asleep in the jet, Lou gently covers his body with a blanket, then sits opposite him, gazing at him. At the airport back in England, Lou declines an invitation from the Traynors to eat with them and rushes out to catch a bus home. Stephen tries to stop her, but Will says to let her go. Camilla hurries after her. Lou turns and looks at Camilla before boarding the bus. She says she is sorry and that there is no need to pay her. Camilla collapses into the arms of her husband who has followed her.

At home, Lou's mother is adamant that Lou did the right thing in declining to accompany Will to Switzerland and forbids her to have anything to do with what she considers to be no better than murder.

The next day Lou hears from her father that the Traynors have left for Switzerland. She is distrought, realizes that she has made a huge mistake. Encouraged by her father, she rings the Traynors and travels to Switzerland. When she enters the building of the Swiss clinic, Will's wheelchair is standing abandoned in a corner outside his room. Lou makes a typically clumsy and noisy entrance, eliciting an affectionately sarcastic remark from Will. His parents greet her and seem happy to see her. They move into the adjoining room to give her some time with him. The tiny apartment is airy and furnished tastefully in crisp clean white. Will mischievously asks her if she has come to make his last cup of tea, Lou counters with the statement that she has come to abduct him to Rio. A short look of hope flashes across Camilla's face, but the mood turns sombre, and Will asks Lou to open the door to the garden. Then he asks her to come close. She lies down on the bed beside him. They kiss. She asks him to tell her something good. He starts softly singing the crazy Molahonkey song she has been singing for him on that night when he was ill and when they first started warming to each other. Will's voice grows weaker. He asks her to call in his parents.

Then screen shows a close up of his hand, resting on his chest on top of Lou's, his good thumb gently caressing her.

The camera shifts to the clean white of the sheets of the bed, which slowly dissolves into whispy clouds on a blue sky. A large leaf falls off a tree, floating gently to the ground beside a pair of lovers kissing on a park bench in Paris.

Lou is sitting at a table outside a small coffee shop in Paris. She is reading a letter from Will, the text of which is heard as a voice over in his voice, suggesting that if she has followed instructions, she will be sitting in this particular spot when reading the letter and that hopefully the sun will still be shining. Then the letter informs her that she will be contacted by his solicitor and given access to an account that he has set up for her to help her start a new life away from the small town where they both grew up. He suggests she buy a certain perfume he always thought would suit her in a shop on the other side of the river. The letter ends with a declaration of his eternal love for her. Lou gets up from behind the small table. She is wearing the yellow and black striped tights. She walks across the bridge, goes into the shop mentioned in the letter, then emerges with a small bag in her hand.

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